When we’re over-efforting we usually use too much muscle, and both function and musical expression can get squeezed. We can use breathing as a barometer. Breathing is a fundamental function, but it often gets interrupted when you’re nervous or using more effort than you need. This can affect freedom of movement, timing and musical expression. … More Are you holding your breath?
I recently taught a workshop for young musicians and saw something fascinating. At the end of the session I asked them to walk onto the stage again. It was amazing, just after teaching them a few choice short lessons, they told me they felt more confident. And I could see a big change in their … More Do you leave part of yourself backstage?
When musicians think about improving their playing, the pelvis isn’t usually the first place they look. We tend to focus on more direct connections to either instrument or voice. For many of us, the pelvis is simply somewhere to sit, or a place we only notice if it becomes uncomfortable. Yet it’s quietly involved in … More The secret life of the pelvis
I’ve been noticing how differently people move in warm weather. Warmth often allows muscles to soften. There can be a sense of languidness (a word that always makes me think of the slow movement of Summer from Vivaldi’s Four Seasons). But we don’t always relax. Sometimes we tighten somewhere else instead. If breathing feels a little harder in … More Is core strength enough?
This week marks the end of the practical part and extra time for my research study: Feldenkrais in Practice. 188 people filled in the first questionnaire, and I’m just waiting on the last few to fill in the final questionnaire, to analyse the results. Meeting you where you are In Feldenkrais we try to meet people where … More Coming up to stand
As musicians, we’re so good at listening to others, to our instruments, to sounds around us, but how good are you at listening to physical yourself? To your body?Any movement lessons require a level of listening that allows you to move, but not strain. This is especially important when we’re thinking about learning. When we … More Freeing the Neck
I’ve always loved owls. And the way they can swivel their head to see behind them in a moment. It would be very useful in lots of scenarios! As you probably know, an owl can turn its head 180 degrees because of the double jointed neck. And we don’t have one of those, which is sad. … More Would you like to have the turning power of an owl?
Do you think of your neck as a separate, or as part of your whole spine? This week’s lesson is looking again at how you might stick out your neck, but from a different angle! We’ll be doing the lesson in sitting. The position change means you’ll explore different options of movement, gravity, and sensation. Your … More How Long is Your Neck?
Draw a tiny circle in the air with your nose. As you do it feel which parts of you move along with it? For many people, the only thing that moves is the head and neck. If that’s true for you, it’s the signal that your neck is over isolated. You’re not using the support of the whole … More Do you know how to find out if your neck is stiff or uncomfortable because your spine isn’t helping it move?
One thing that often changes is the breathing. I was performing a concert this evening. The sensation of playing on stage was very different from the rehearsal in the afternoon. I wasn’t particularly nervous myself, so I was asking myself what feels different and why? I did a self scan: a technique I’ve learnt in … More What’s different for you when you’re on stage, compared to in the practice room?
