When musicians think about improving their playing, the pelvis isn’t usually the first place they look. We tend to focus on more direct connections to either instrument or voice. For many of us, the pelvis is simply somewhere to sit, or a place we only notice if it becomes uncomfortable. Yet it’s quietly involved in … More The secret life of the pelvis
I’ve been noticing how differently people move in warm weather. Warmth often allows muscles to soften. There can be a sense of languidness (a word that always makes me think of the slow movement of Summer from Vivaldi’s Four Seasons). But we don’t always relax. Sometimes we tighten somewhere else instead. If breathing feels a little harder in … More Is core strength enough?
This week marks the end of the practical part and extra time for my research study: Feldenkrais in Practice. 188 people filled in the first questionnaire, and I’m just waiting on the last few to fill in the final questionnaire, to analyse the results. Meeting you where you are In Feldenkrais we try to meet people where … More Coming up to stand
As musicians, we’re so good at listening to others, to our instruments, to sounds around us, but how good are you at listening to physical yourself? To your body?Any movement lessons require a level of listening that allows you to move, but not strain. This is especially important when we’re thinking about learning. When we … More Freeing the Neck
I’ve always loved owls. And the way they can swivel their head to see behind them in a moment. It would be very useful in lots of scenarios! As you probably know, an owl can turn its head 180 degrees because of the double jointed neck. And we don’t have one of those, which is sad. … More Would you like to have the turning power of an owl?
One thing that often changes is the breathing. I was performing a concert this evening. The sensation of playing on stage was very different from the rehearsal in the afternoon. I wasn’t particularly nervous myself, so I was asking myself what feels different and why? I did a self scan: a technique I’ve learnt in … More What’s different for you when you’re on stage, compared to in the practice room?
What if it’s not really useful to breathe into the belly? When they tell you to breathe into the belly, most people actually mean diaphragmatic breathing. Belly breathing is a version of it at least: to access the lengthening of the lungs as well as outward expansion. But that’s not always the only effect. The … More Belly breathing: A hidden cause of back pain?
Since becoming a Feldenkrais teacher, now a decade ago, I’ve become more and more fascinated with our anatomy. We’re so fortunate to have access in our digital world to teachers all around the world. I’ve been particularly taken with the dissection work of Gill Hedley. And took some time in the preparation of these lessons … More Ribs and the Intercostals: A team in the movement of breathing and moving
For many musicians, breath is thought of as fuel: the more you inhale, the more you have to give. It might seem logical to “take a big breath” before a demanding phrase or passage. More air should mean more sound? Yet this pursuit of volume often makes breathing harder, not easier. The act of trying … More The Myth of the Big Breath
The last week since coming back from Holland has sped past. I wanted to write a little about my experiences. After my travel disaster, (my passport whilst valid, was over 10 years old. Since 2018, this is no longer valid for the EU. And I only found out the day before my flight. Which meant … More What are your limits?
