I’ve always loved owls. And the way they can swivel their head to see behind them in a moment. It would be very useful in lots of scenarios! As you probably know, an owl can turn its head 180 degrees because of the double jointed neck. And we don’t have one of those, which is sad. … More Would you like to have the turning power of an owl?
One thing that often changes is the breathing. I was performing a concert this evening. The sensation of playing on stage was very different from the rehearsal in the afternoon. I wasn’t particularly nervous myself, so I was asking myself what feels different and why? I did a self scan: a technique I’ve learnt in … More What’s different for you when you’re on stage, compared to in the practice room?
What if it’s not really useful to breathe into the belly? When they tell you to breathe into the belly, most people actually mean diaphragmatic breathing. Belly breathing is a version of it at least: to access the lengthening of the lungs as well as outward expansion. But that’s not always the only effect. The … More Belly breathing: A hidden cause of back pain?
Since becoming a Feldenkrais teacher, now a decade ago, I’ve become more and more fascinated with our anatomy. We’re so fortunate to have access in our digital world to teachers all around the world. I’ve been particularly taken with the dissection work of Gill Hedley. And took some time in the preparation of these lessons … More Ribs and the Intercostals: A team in the movement of breathing and moving
For many musicians, breath is thought of as fuel: the more you inhale, the more you have to give. It might seem logical to “take a big breath” before a demanding phrase or passage. More air should mean more sound? Yet this pursuit of volume often makes breathing harder, not easier. The act of trying … More The Myth of the Big Breath
The last week since coming back from Holland has sped past. I wanted to write a little about my experiences. After my travel disaster, (my passport whilst valid, was over 10 years old. Since 2018, this is no longer valid for the EU. And I only found out the day before my flight. Which meant … More What are your limits?
As musicians, our physical self is the primary instrument. And I write”physical self”, rather than “body” because the brain and body work together. All of the time. They never act separately. It’s simply not possible. And whether you’re a musician or not, every movement we make is together with a thought, an emotion, and a … More The brain and body work together.
We’re continuing our theme of sensing the skeleton this week, and will be looking at releasing the neck and shoulders. It’s a topic close to my heart, and that in a strange way started me on this journey towards Feldenkrais teaching. When I lived in Holland, I had exhaustion from IBS (irritable bowel syndrome). After … More Finding ease through the skeleton
Human’s opposable thumbs are thought to have developed c.2 million years ago during the Homo Habilis time of our evolution. They may have been used for food gathering, and most certainly contributed to the development and use of tools. Our Chimpanzee cousins have opposable toes as well as thumbs, which makes them much better at … More Musicians’ Fingers and Thumbs
You are your primary Instrument… Whether that’s a Strad or a factory violin is up to how you use what you have! All of our technique, whatever we play or sing, boils down on movement: we move ourselves to create music. The less effort and tension we use, the better, and more efficiently, we can bring across to … More Feldenkrais Method for Musicians – Why do it?
the Feldenkrais Method with Emma Alter 